Support independent, student-run journalism.

Your support helps give staff members from all backgrounds the opportunity to conduct meaningful reporting on important issues at Stanford. All contributions are tax-deductible.

New performance piece “Patterns” re-examines love and memory

Written and realized by Amy Munz, “Patterns” is a one-woman performance piece that explores the many voices, personas and histories we contain within our “selves.” On an empty stage, surrounded on three sides by video projections, Munz portrays Arnot, a young woman trying to find the logic in her own narrative, the how of her recent love affair.

In other words, we enter the chaotic, sacred and imaginary landscape that is Arnot’s past tense. Munz plays five different characters, including Adela, a fervent teenager, reveling in her first kiss. A few seconds later, she is Abigail, chasing after her dog, intoxicated by the natural world. Windswept meadows, poppy seeds and cattails flit across the theater’s walls. Somewhere in the fluid boundaries between these personas, Arnot’s psychology and personality accumulate, however obliquely.