Support independent, student-run journalism.

Your support helps give staff members from all backgrounds the opportunity to conduct meaningful reporting on important issues at Stanford. All contributions are tax-deductible.

Passing by catastrophe: EP-style

To “pass by catastrophe,” according to urban legend, you must experience a major earthquake or other catastrophic event during your final exam warranting the university registrars to give everyone passing grades. But in the case of the Stanford band, “Pass By Catastrophe,” the phrase means exploring making music together and dropping your first extended play (EP) on Oct. 4, amidst the Stanford grind.

Mesmerized by ‘The Melancholy Museum’

The midnight purple walls were a stark contrast to the white marble hall leading up to “The Melancholy Museum: Love, Death, and Mourning at Stanford,” creating an immediate and immersive change in mood. I was struck by the sheer scale of the black Victorian mourning cabinet before me, packed with hundreds of weathered artifacts from the Stanford Family Collections. This exhibition of over 700 objects was curated by Mark Dion to tell the story of the Stanford family and their museum.

Music + X : Revolution

That music and revolution go hand in hand shouldn’t surprise us. The rousing spirit of protest songs like “¡El Pueblo Unido” in Chile, or “Go down Moses” of the American Underground Railroad can be among the most powerful vehicles for expressing the pathos and impetus behind an uprising of the people. In today’s installment of Music + X: classical music’s perspectives on revolution.