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Daniel Xu's column, "And So We Thought," reflects on the media ecosystem we live in. (Graphic: MEI KNUTSON/The Stanford Daily)

And So We Thought: There is a universe of ideas in ‘Invisible Cities’

Daniel Xu
  •  
Nov. 11
Arts & Life
A black-and-white production still from "Holiday" (1938), featuring Katharine Hepburn and Cary Grant.

How About Now: ‘Holiday’ (1938) is another wonderful early romcom

Mason Barrett
  •  
Nov. 3
Letters to the Community
A man walks through the arches in Stanford's Main Quad.

Do we need an Opinions section?

Jennifer Xin-Tsu Lin Levine and Zachary Gottlieb
  •  
Sept. 23
Screen
A person holding a camera with a film scene framed in the lens.

‘The Texas Chainsaw Massacre’ (1974) is a cleverly-written horror classic

Mason Barrett
  •  
Jan. 21
Screen
A movie director's sign with gender symbols on it with text "HER POV."

Her POV: ‘Babygirl’ is all tension with no release

Blyss Cleveland
  •  
Jan. 20
Screen
A movie director's sign with gender symbols on it with text "HER POV."

Her POV: ‘Madeline’s Madeline’ artfully breaks down the parent-child bond

Blyss Cleveland
  •  
Jan. 12
Screen
Three South Asian people stand in the middle of a crowd, with the text "In Focus" across the bottom of the image.

In Focus: ‘C/o Kancharpelam’ addresses the small town taboo of love

Srithanya Satish
  •  
Nov. 20, 2024
Screen
A graphic of a person holding a camera pointed at the viewer.

How About Now: ‘Rebel Without a Cause’ preemptively rebels against teen-comedies

Mason Barrett
  •  
Nov. 18, 2024
Screen
A girl stares up at the camera with the text 'Anora' over her face

‘Anora’ mostly avoids tired tropes about sex work 

Blyss Cleveland
  •  
Nov. 11, 2024
Screen
"Talk Horror To Me" is written in bloody letters on a wall.

Talk Horror to Me: Meet ‘Abigail,’ the first pirouetting vampire

Emma Kexin Wang
  •  
Nov. 7, 2024
Screen
Three South Asian people stand in the middle of a crowd, with the text "In Focus" across the bottom of the image.

In Focus: ‘Kumbalangi Nights’ redefines brotherhood and manhood

Srithanya Satish
  •  
Nov. 5, 2024
Screen
A graphic of a person holding a camera pointed at the viewer.

How About Now: ‘Sullivan’s Travels’ spotlights social inequality in America

Mason Barrett
  •  
Nov. 4, 2024
Screen
A graphic of a person holding a camera pointed at the viewer.

How About Now: The true monster of ‘Frankenstein’ (1931) was an unfaithful book adaptation

Mason Barrett
  •  
Oct. 21, 2024
Music
A vinyl with the title of column, "Pulse," and a drawing of two women about to kiss on it

Pulse: Janelle Monáe explores Black queer sensuality in ‘The Age of Pleasure’

Madisyn Cunningham
  •  
Oct. 17, 2024
Screen
"Talk Horror To Me" is written in bloody letters on a wall.

Talk Horror to Me: ‘The Substance’ is all form with little substance

Emma Kexin Wang
  •  
Oct. 17, 2024
Music
a digital drawing of a cassette tape

Made a mixtape, hope you like it: Nick Drake

Amanda Altarejos
  •  
Oct. 14, 2024
The Grind
Heart-shaped pages of a book

Dear Diary: It was just a paper bag

Amanda Altarejos
  •  
Nov. 8, 2023
The Grind
Woman in the airport posing in front of the Hudson store

Dear Boomer: Long distance love

Helen Hudson
  •  
Nov. 8, 2023
Screen
The photo of a hand in the dark, with the text "Talk Horror to me" written in the foreground.

Talk Horror to Me: Misdirected forms of human connections in ‘Talk to Me’

Emma Kexin Wang
  •  
Nov. 8, 2023
Music
A graphic of the album covers of Ritt Momney’s “Her And All Of My Friends” and 100 gecs’s “10,000 gecs.”

Music that makes you feel: Autotune and the collapse of meaning

Sam Waddoups
  •  
May 24, 2023
The Stanford Daily

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