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Culture
Ai Weiwei brings humanity to the refugee crisis in ‘Human Flow’
Mac Taylor
  •  
Nov. 2, 2017
Campus gem: The Market at Munger
Blake Sharp
  •  
Oct. 31, 2017
United Nations Association Film Festival: A look at ‘Guangzhou Dream Factory’
Cathy Wang
  •  
Oct. 30, 2017
‘The Prince of Egypt’ shines artistically but battles with representation
Olivia Popp
  •  
Oct. 30, 2017
Christ or Chaos: Walker Evans in the San Francisco Museum of Modern Art
Mac Taylor
  •  
Oct. 29, 2017
Nina Katchadourian drops a sick beat and sicker dial tone
Julia Gordon
  •  
Oct. 26, 2017
No, don’t say ‘boo,’ just watch your wallet at Nobu Palo Alto
Chris Wang
  •  
Oct. 25, 2017
Xandra Ibarra’s ‘Nude Laughing’ is much more than a few giggles
Mell Chhoy
  •  
Oct. 25, 2017
On sustained silences in Sappho and abstract expressionism
Shana E. Hadi
  •  
Oct. 24, 2017
Harry Gamboa Jr.’s performance art is impactful as ever in ‘Vital Signs’
Natalie Sada
  •  
Oct. 24, 2017
Margaret Cho’s ‘Fresh Off the Bloat’ champions diversity in the age of Trump
Olivia Popp
  •  
Oct. 23, 2017
Word, wound, world: Innovations in storytelling in ‘With Those We Love Alive’
Ashley Huang
  •  
Oct. 22, 2017
‘The Doctor is Out’: Dr. Mark Schuster on being LGBTQ+ in medicine
Mell Chhoy
  •  
Oct. 22, 2017
Under smoky skies, community members share ‘Rooted Words’ on the Farm
Claire Thompson
  •  
Oct. 18, 2017
‘The Centennial Exhibition’: Reveling in Pedro de Lemos’ history and simplicity
Julia Gordon
  •  
Oct. 18, 2017
Hope Gangloff’s portraits fuse intimacy and fine art
Shannen Torres
  •  
Oct. 17, 2017
Spencer Finch’s ‘Betelgeuse’ inspires childlike awe
Angelica Jopling
  •  
Oct. 16, 2017
Comedian Demetri Martin makes laughs but fails to impress on tour
Elizabeth Gerson
  •  
Oct. 1, 2017
Colliding indoors: Ai Weiwei’s ‘Hansel & Gretel’ at NYC’s Park Avenue Armory
Mac Taylor
  •  
Aug. 28, 2017
More than just flowers: Georgia O’Keeffe at the Art Gallery of Ontario
Olivia Popp
  •  
July 30, 2017
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