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Screen
Director Joseph Kosinski ’96 recounts path to cinema at ‘F1’ FLiCKS screening
Dan Kubota
•
Feb. 24
Music
Made a mixtape, hope you like it: Elliott Smith
Amanda Altarejos
•
Oct. 29, 2024
Music
The Sound of Cinema: ‘Babylon’ (2022) is a captivating musical circusÂ
Anthony Martinez Rosales
•
Oct. 17, 2023
Arts & Life
2022 Oscars: ‘Don’t Look Up’ kicks and screams to get best picture nomination
Abby Converse
•
Feb. 24, 2022
News
‘Nomadland,’ the American West and a parable for uncertain times
Jonathan Arnold
•
March 28, 2021
Tales of boyhood and family in this year’s Oscar-nominated live-action short films
Marika Tron
•
Feb. 25, 2019
‘Midnight Cowboy’ critiques American mythology
Amir Abou-Jaoude
•
Feb. 8, 2019
In ‘Fahrenheit 11/9,’ Michael Moore crafts an incendiary argument
Amir Abou-Jaoude
•
Oct. 2, 2018
‘Tom Jones’ is strangely timeless
Amir Abou-Jaoude
•
Oct. 1, 2018
Video: WonderCon Anaheim 2018 interviews with award-winning composers, designers and actors
Olivia Popp
•
Aug. 19, 2018
George Cukor’s 1940 film ‘The Philadelphia Story’ delights audiences, even today
Amir Abou-Jaoude
•
Jan. 19, 2018
Three Stanford graduates named national finalists at the 41st Student Academy Awards
Dominica Wambold
•
May 20, 2014
Arts & Life
Forget Oscar—It’s Time for Bechdel
Katharine Schwab
•
Feb. 22, 2013
Arts & Life
Breaking down the Golden Globes: What this means for the Oscars
Lauren Wilson
•
Jan. 18, 2013
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