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Thursday, April 25th, 2024
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Stanford TAPS
Arts & Life
In TAPS’ ‘Cabaret,’ even the orchestra is beautiful
Natalie Francis
  •  
May 20, 2019
Golden Globe winner Sterling K. Brown to speak at 2018 Commencement
Yasmin Samrai
  •  
Feb. 12, 2018
‘Saint Joan of the Stockyards’ gives power to the people
Alessandro R.L. Hall
  •  
May 5, 2017
TAPS’s ‘The Tempest’ conjures a storm of originality and wit
Alli Cruz
  •  
March 3, 2017
Theater review: “The Mammaries of Tiresias” shatters our patriarchal society
Elizabeth Gerson
  •  
Feb. 23, 2017
Theater review: ‘Spatial Shift’ and the elegance of human form
Alejandra Aguilar
  •  
May 28, 2016
Theater review: “Oh, What a Lovely War!” delivers an academically-envisioned but slapdash performance
Olivia Witting
  •  
March 9, 2016
Theater review: ‘White Power: A Comedy’ hits home
Madelaine Bixler
  •  
Feb. 18, 2016
Theater review: ‘The House on Mango Street’ explores the Chicano experience
Madeline MacLeod
  •  
Feb. 12, 2016
TAPS’ ‘Rosencrantz And Guildenstern Are Dead,’ an all-around fantastic production
Steve Rathje
  •  
Feb. 23, 2015
Ph.D. student Otálvaro-Hormillosa provokes reflection in her piece about family ties
Ian Anstee
  •  
Feb. 12, 2015
‘Parts for Women Written by Men’ reevaluates female identity in theater
Ian Anstee
  •  
Feb. 11, 2015
Swan Lake Recalibrated: a vaporous performance
Sean Christofferson
  •  
March 6, 2014
The Stanford Daily
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