Tuesday saw the conclusion of the Ethics, Policy & Governance conference, a two-day event that featured dozens of discussions on the implications of artificial intelligence (AI) for a range of industries and disciplines.
In an email to faculty members, Provost Drell announced that up to $1.7 million dollar funds would be made available to the Stanford University Press in fiscal year 2020. Her message followed outcry from Stanford faculty members and affiliates, after Drell’s announcement at Friday’s Faculty Senate meeting that a funding application from the Press had been rejected.
Three Stanford faculty are among the 178 scholars, artists and scientists awarded the prestigious Guggenheim Fellowship this year.
Stanford is home to one of the biggest names in computer-generated music: Ge Wang, assistant professor in the Center for Computer Research and Music and Acoustics (CCRMA). Wang established the Stanford Laptop Orchestra, and has worked to develop countless numbers of instruments as part of that endeavor. Wang was recently asked to judge an upcoming…
For the first time, Stanford’s Three Books program goes beyond the book: a documentary film, a suite of smartphone applications described on a website that includes articles and video documentation, as well as a book.
his is the Class of 2016’s first exposure to Stanford intellectual life, and the Three Books organizers should do everything in their power to make sure this opportunity is not wasted.
The Office of Undergraduate Advising and Research announced the three texts chosen for the program on Tuesday. The selections, provided by courtesy to all incoming members of the Class of 2016, include the DVD documentary “My Kid Could Paint That” by New York Times critic Michael Kimmelman, the smartphone application “Smule” by Stanford Assistant Professor of Music Ge Wang and “Fargo Rock City: A Heavy Metal Odyssey in Rural North Dakota,” a memoir written by Chuck Klosterman.
Ge Wang is the mastermind behind the music app start-up Smule, which has released a number of wildly successful apps, including “Ocarina,” “Magic Piano” and “I Am T-Pain.” Dedicated to sharing his love of music and pushing the boundaries of computer music, Wang is also an assistant professor of music and, by courtesy, of computer science. He also finds time to stay involved with a number of musical groups on campus, including the Stanford Laptop Orchestra (SLOrk) and Stanford Mobile Phone Orchestra (MoPho).