Unlike last year, the organizers decided not to be formally affiliated with the National Women’s March this year in an effort toward inclusivity and in light of the controversies surrounding the organization.
In its 20th meeting on Tuesday, the 19th Undergraduate Senate introduced a resolution to improve University efforts to collect data on sexual misconduct on campus. The resolution calls on the administration to abandon the Campus Climate Survey scheduled for this spring. Instead, the resolution suggests that the University administer the survey created by the Association of American Universities (AAU), which has been used by peer institutions such as Harvard, Brown and Yale to gather information about sexual harassment and assault, in spring 2019.
“One in Five: The Law, Policy, and Politics of Campus Sexual Assault” will be offered as a regular course in the Feminist, Gender and Sexuality Studies department next winter quarter.
Transgender and gender-expansive students at Stanford deserve acknowledgement, and especially so in classes that blithely slap “gender” on their course name and fail to critically do the concept justice. As a campus, Stanford must move beyond perception of transgender and gender-expansive people as exotic, overly complex, or unrelatable.
In an event titled “Defining Manhood: What Can Men at Stanford Do?” Stanford President John Hennessy and Vice Provost Harry Elam spoke at the Sigma Nu house on March 10, along with Hoover Fellow Joseph Felter Ph.D. ’05 and associate professor of sociology, Robb Willer.
Each speaker ended their presentation with a call to action; however, if there were men in the room sincerely ready to answer that call, I don’t think they were given enough tools.
I once asked my friend if she was a feminist. Her response: Of course not. Why not? Feminism, by its strict dictionary definition, is simply the idea of guaranteed equality between men and women — an idea evident to almost everyone today. So why is there such a distaste for the term? Why doesn’t everyone…
With a feminist speech by Nigerian author Chimamanda Ngozi Adichie in the track “Flawless,” but also many apparent displays of servitude to her husband (her latest tour was called “Mrs. Carter” for God’s sake!), is Beyoncé’s music feminist or the complete opposite?