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art

(Courtesy of Ray Briggs)

Q&A: Philosophy professor Ray Briggs on politics’ role in modern poetry

Michal Leibowitz
  •  
May 14, 2018
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The pressure to create the next “big thing”

Natachi Onwuamaegbu
  •  
April 13, 2018
Courtesy of Veronica Chambers

Food and memory with Veronica Chambers

Claire Thompson
  •  
March 21, 2018
Courtesy of Frank Chen

Who’s crazy?: ‘Next to Normal’ is devastating and uplifting at once

Minh-Anh Day
  •  
March 8, 2018
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Ways of seeing

Gülin Ustabas
  •  
March 7, 2018
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Imperfect reflection in Modigliani

Sasha Landauer
  •  
March 6, 2018
Daguerrotype of Mr. and Mrs. Stanford. (REILLY CLARK/The Stanford Daily)

Art ++: Faulkner and the Stanfords

Reilly Clark
  •  
March 6, 2018
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Oops: This will never do

Josh Wagner
  •  
Feb. 23, 2018
Anderson Collection patrons Christine Nicholas and Julia Procopé stop to discuss the Mary Weatherford’s, “black painting” a gift of Debra and Steven Wisch'83, in honor of the Anderson family. (Courtesy of L.A. Cicero)

Art++: Mary’s Place

Ali Vaughan
  •  
Feb. 14, 2018
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Nuestras murales: Comunidad and the value of dialogue

Miguel Samano
  •  
Jan. 29, 2018
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Sad sells

Serena Zhang
  •  
Nov. 3, 2017
UNAFF

United Nations Association Film Festival: A look at ‘Guangzhou Dream Factory’

Cathy Wang
  •  
Oct. 30, 2017
Photo courtesy of the Metropolitan Museum of Art.

Christ or Chaos: Walker Evans in the San Francisco Museum of Modern Art

Mac Taylor
  •  
Oct. 29, 2017
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The perils of not being creative

Natachi Onwuamaegbu
  •  
Oct. 19, 2017
Individuals perform at a previous Rooted Words performance. (Courtesy of Stanford Earth Sciences)

Under smoky skies, community members share ‘Rooted Words’ on the Farm

Claire Thompson
  •  
Oct. 18, 2017
'Coast Sentinels' by Pedro de Lemos is on display at the Cantor Arts Center (Courtesy of Pedro de Lemos)

‘The Centennial Exhibition’: Reveling in Pedro de Lemos’ history and simplicity

Julia Gordon
  •  
Oct. 18, 2017
Hope Gangloff works on a portrait (Courtesy of Vogue).

Hope Gangloff’s portraits fuse intimacy and fine art

Shannen Torres
  •  
Oct. 17, 2017
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Living with art

Josh Wagner
  •  
Oct. 12, 2017
Prison Renaissance co-founder Emile DeWeaver in a performance piece with a fellow incarcerated person, Gino Sevacos in a performance piece with Artistic Ensemble San Quentin (Courtesy of Peter Merts).

Prison Renaissance aims to bring incarcerated voices to Stanford

Jordan Payne
  •  
Sept. 29, 2017
(Matt Gibson, Flickr)

The five stages of writing a song: An artist’s perspective

Trenton Chang
  •  
April 24, 2017
The Stanford Daily

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