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Reviews
Scorsese uses allusion to conjure up ‘The Age of Innocence’
Amir Abou-Jaoude
  •  
Feb. 26, 2019
Tales of boyhood and family in this year’s Oscar-nominated live-action short films
Marika Tron
  •  
Feb. 25, 2019
‘A Midsummer Night’s Dream’ delves into the trials of love through fantasy
Shana E. Hadi
  •  
Feb. 22, 2019
‘Happy Death Day 2U’ is a happy accident
Kaycee Branche
  •  
Feb. 22, 2019
Michelle Obama: Putting the first in First Lady
Sarah Kim
  •  
Feb. 21, 2019
‘Narcos: Mexico’ doesn’t quite hit the same high the original did
Hannah Blum
  •  
Feb. 21, 2019
‘The Lego Movie 2’ is built on heart
Daniel Wu
  •  
Feb. 20, 2019
Into the Adaptationverse – ‘Spiderverse’ proves that adaptations are necessary
Mark York
  •  
Feb. 19, 2019
‘Temptation Island’ is cheesy gold
Caroline Keyes
  •  
Feb. 19, 2019
Arts & Life
Reading between the lines for love
Arts & Life Reads beat writers
,
Lily Nilipour
,
Carly Taylor
,
Scott Stevens
,
Mark York
,
Claire Francis
and
Shana E. Hadi
  •  
Feb. 14, 2019
Ford and Fonda examine the legend of ‘Young Mr. Lincoln’
Amir Abou-Jaoude
  •  
Feb. 13, 2019
‘If Beale Street Could Talk’ brings Baldwin’s story to the screen
Amir Abou-Jaoude
  •  
Feb. 11, 2019
‘Midnight Cowboy’ critiques American mythology
Amir Abou-Jaoude
  •  
Feb. 8, 2019
Joyce Carol Oates chronicles the fall of an American family in ‘We Were the Mulvaneys’
Scott Stevens
  •  
Feb. 8, 2019
Arts & Life
Sundance 2019, part 3: Best of the Fest
Olivia Popp
  •  
Feb. 7, 2019
‘Alita’ features angelic action
Noah Howard
  •  
Feb. 7, 2019
‘Baby’ is soapy and unsettling
Juan Fueyo-Gomez
  •  
Feb. 7, 2019
Arts & Life
Sundance 2019, part 2: U.S. Dramatic Competition
Olivia Popp
  •  
Feb. 6, 2019
Arts & Life
Sundance 2019, part 1: Quirky and boundary-breaking films
Olivia Popp
  •  
Feb. 5, 2019
‘The Breakfast Club’ is an antique analysis of adolescent anguish
Amir Abou-Jaoude
  •  
Feb. 5, 2019
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