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Film review: Technicolor feminist sex-horror B-movie ‘Love Witch’ is kinda kooky

Anna Biller’s “The Love Witch” is a labor of love that utterly captures the plot arc, texture and ambiance of the 1970s’ sexually charged thrillers. This comprehensive work from a total auteur (Biller writes, directs, edits, composes, costume-designs, set-designs and more!) harkens back to flicks of a highly specific B-movie genre that grew out of the success of Polanski’s “Rosemary’s Baby,” identifiable by…