“La Llorona,” Obed de La Cruz’s chilling playwriting debut, doesn’t draw on the Latinx folklore to blitz you with jump scares. It prompts you: Let go of the past lest the past tightens its hold on you.
In general, working-class or other disadvantaged individuals are less likely to question or advocate for themselves in environments such as doctors’ offices or classrooms than privileged individuals, but this dynamic is inverted in the courtroom. Disadvantaged individuals withdraw and resist while privileged defendants defer and delegate to their attorneys.
Unidentified callers hijacked an event held by the First Generation and/or Low Income (FLIP) Office on Wednesday.
I recently interviewed Joshua Richard Chang '21, Stanford senior and music director of Ram’s Head Theatrical productions “The Addams Family” (2019) and “Pippin” (2020). Chang is billed to lead an online masterclass on Nov. 13 for musical theater conducting. Driving from San Diego to the Bay to fly out to visit his girlfriend, Chang called from the passenger seat of a friend’s car while on the road. We discussed conducting, his time at Ram’s Head and the state of theater during COVID.
“Honestly, who has better makeup than a drag queen?” Jessica de la Paz said.
“Love Is Blind Stanford” fights to keep Cardinal love alive. Produced by Kellen Vu ’23, this adaptation of the original Netflix series introduces the former premise into the quarantine era: Can strangers fall in love without laying eyes on one another? But, amid the love triangles and flirtation, the jewel of the show is what it tells us about connecting with others while in isolation.
In December 2006, my mom fired Grandma. She’d returned home from a night shift to find a human carousel in her living room: my two sisters chasing each other in circles, each holding a half-drank bottle of cranberry juice, while I, six years old, sat cross-legged at their circle’s center, watching Sex and the City…
With Hollywood championing a narrow concept of diversity, it’s more important than ever to fight for representation for all types and all shades of black women in front of and behind the camera.