If you’ve never been to a theater in a foreign country, at the very least the prospect of watching a superhero movie with foreign language subtitles may intrigue you.
While I hate to paraphrase Dame Judi Dench at the end of “The Best Exotic Marigold Hotel,” her character notes in her “e-lec-tronic” blog that sometimes success is measured by how you cope with failure. Following her mantra, the audience will surely have to test themselves and succeed admirably.
Ram’s Head’s spring musical production in recent years has been largely about putting on formidable versions of recognizable shows that everyone can enjoy. This year, the board made a decision to choose something riskier, something less famous: the 1989 musical comedy “City of Angels,” written by Cy Coleman, David Zippel and Larry Gelbart. This risk paid off well for the company.
The highlight of the film year has officially passed. After months of period dramas and auteur-directed, highfalutin movies—not to mention the never-ending parade of meaningless award shows—the big one has come and gone. This year, like always, the Academy Awards wrapped up the year rather predictably, but with a class and panache reserved only for the Oscars.
The controversial movie “We Need to Talk About Kevin” has been kicking around the circuit since the Cannes Film Festival in May but is only just getting its American release.
As 2012 kicks off, we are presented with the gift of midseason premieres. Just a couple of years ago, the midseason was a wasteland for awful TV shows that networks were forced to air in place of their other awful cancelled shows. However, with several midseason successes each year, running from “Seinfeld” to last year’s hidden gem “Happy Endings,” there are always a couple of diamonds in the rough that turn out to be truly wonderful shows worth watching.
This has been a year for daring movies, and the best of them have all been movies that I feel like I’ve never seen before. If someone had told me the best films this year would include a Martin Scorsese children’s movie and a comedy about cancer, I wouldn’t have believed either could even get made. Fortunately my instincts were wrong, and we have some new movies to treasure for years to come.
If you hate smiling, laughing, giggling, singing, dancing and all around joy, then maybe you should avoid “The Muppets.” However, if you want to smile, spend some time with everyone’s favorite puppets and sing along.
As the Halloween season begins, the time has come to cozy up in the movie theater with a big box of popcorn and a hand to hold during the scary parts of the thrillers that have become a seasonal treat. Fortunately, there is a new horror movie each weekend to frighten and delight. Sadly, "Dream House" is not one of those delightful flicks
"The Artist" is a silent breath of fresh air in a landscape of loud, grating movies and a hilarious respite from unoriginal comedies.
The construction of the movie, constantly jumping back and forth between the cult family and her real life family is meticulously written. Each scene informs the next, as the audience gets drawn deeper down into the emotional rabbit hole of Martha's psyche in one of the most thrilling and unexpected movies of the year.
Almodóvar has created a triumph of tone and tension in this erotic thriller, and it's more than a little terrifying too.
This summer, when all of the big, action-packed movies are released, don’t be the one to miss “Drive” for the biggest adrenaline rush all year.
I'm currently at the prestigious, if pretentious, Cannes Film Festival which runs for 10 days in a tiny town on the French Riviera. This year's movie lineup has been its most extravagant in years, from Cannes favorites like Terrence Malick, Lars von Trier, Pedro Almodóvar and Woody Allen peppered throughout the week.
For a film with imagery this powerful and a message so elusive, it deserves to be seen in a theater with a long coffee break afterward to discuss and digest the scenes.
If you are a fan of the other "Pirates of the Caribbean" movies, then you will certainly fall for this one as well. It definitely is an adequate successor; however, it might not be worth the price of the 3-D glasses.
"We Need to Talk About Kevin" is a win for fans of the original Lionel Shriver novel of the same name.
One good performance cannot save this movie from its vintage-painted emptiness.
The film exploits the limits our society continues to push, but without ever losing its humor.
Two years removed from the big financial collapse of 2008, documentarian Charles Ferguson answers the question “How did it all start?” Ferguson takes the grand task upon himself and interviews seemingly every CEO, economics professor and financial advisor in the Tri-State area. His result is a sleek, sexy and surprisingly fun exposé - “Inside Job” reveals the inner-workings of Wall Street and the financial sector.
Based on the modern Swedish classic “Let The Right One In,” “Let Me In” is Hollywood’s response to vampire-mania, following in the footsteps of “Twilight” and “True Blood.”
Ben Affleck now finds himself both in front of and behind the camera in "The Town," his second directorial attempt after the 2007 critically acclaimed "Gone Baby Gone."
Stiller leaves his slapstick and silly humor behind for an excellently delivered wry wit.