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album review
Album Review: M83’s most recent space odyssey
Tyler Dunston
  •  
May 11, 2016
On ‘The Colour in Anything,’ James Blake reconsiders melancholy
Benjamin Sorensen
  •  
May 10, 2016
Aesop Rock’s ‘The Impossible Kid’: A Knot Worth Unraveling
Clare Flanagan
  •  
May 6, 2016
Gallant’s debut LP ‘Ology’ perplexes and dazzles in equal measure
Tyler Dunston
  •  
April 13, 2016
Charles Bradley and the return of an old soul
Benjamin Sorensen
  •  
April 7, 2016
Zayn reaches for a new identity
Joshua Seawell
  •  
April 5, 2016
Ready for Fetty: A preview of this year’s Frost headliner, Fetty Wap
Benjamin Sorensen
  •  
March 28, 2016
Charli XCX breaks genres, loses focus on ‘Vroom Vroom’
Joshua Seawell
  •  
March 10, 2016
‘A Man Alive’ delivers a little slash, a little burn
Tyler Dunston
  •  
March 3, 2016
On ‘Shirley,’ an old soul says goodbye
Benjamin Sorensen
  •  
Feb. 16, 2016
Is it human to adore ‘Adore Life’? Hell yes.
Tyler Dunston
  •  
Feb. 10, 2016
‘This is Acting,’ a Top-40 tour de force for Sia
Joshua Seawell
  •  
Feb. 1, 2016
Album review: Snarky Puppy’s ‘Family Dinner – Volume 2’
Benjamin Sorensen
  •  
Jan. 31, 2016
T∆PE GHØST’s explorations of sound as eternity
Benjamin Sorensen
  •  
Jan. 25, 2016
Complex roots: Rooney Pitchford’s debut “Familiar Places”
Tyler Dunston
  •  
Jan. 24, 2016
‘IDols’ and identity: Eli Arbor’s stunning debut
Benjamin Sorensen
  •  
Jan. 13, 2016
LÉON finding her way in new EP
Joshua Seawell
  •  
Nov. 15, 2015
A dream affirmed: CONNIE.K drops ‘Daylight Savings’
Benjamin Sorensen
  •  
Oct. 22, 2015
Little Simz crowns herself king
Tyler Dunston
  •  
Oct. 19, 2015
A new, anxious Americana in Halsey’s debut
Joshua Seawell
  •  
Oct. 6, 2015
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