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Music
Selena Gomez comes back with a new hit in ‘It Ain’t Me’
Dante Laird
  •  
Feb. 23, 2017
A throwback to the Golden Age: Postmodern Jukebox wows at Bing
Andrea Lim
  •  
Feb. 21, 2017
BJ the Chicago Kid delivers a dizzying performance at Black Love
Benjamin Sorensen
  •  
Feb. 20, 2017
Pen-Pineapple-Pen — what’s up with that?
Maimi Higuchi
  •  
Feb. 20, 2017
Interview: Moon Hooch Makes “Energy Music”
Dylan Grosz
  •  
Feb. 16, 2017
Heating up: Pop hits on the rise in February 2017
Dante Laird
  •  
Feb. 16, 2017
Lorde, St. Vincent and Kanye…? Albums to look forward to in 2017
Benjamin Sorensen
  •  
Feb. 14, 2017
Katy Perry gets pop-litical in new single, ‘Chained to the Rhythm’
Dante Laird
  •  
Feb. 14, 2017
Opinion: What’s wrong with the Grammys?
Jacob Kuppermann
  •  
Feb. 13, 2017
Preview: Calling all RYDRZ
Trenton Chang
  •  
Feb. 13, 2017
Review: Japandroids return with ‘Near to the Wild Heart of Life’
Jacob Kuppermann
  •  
Feb. 8, 2017
Review: Homeshake’s ‘Fresh Air’ is an ode to failed communication
Dylan Grosz
  •  
Feb. 8, 2017
Rock, pop and soul: Three great artists we lost in 2016
Maimi Higuchi
  •  
Feb. 7, 2017
‘The Nickelback of EDM’: Selling out and the price of fame
Trenton Chang
  •  
Feb. 6, 2017
Kodo: Japanese drumming brought to Berkeley
Maimi Higuchi
  •  
Feb. 6, 2017
I partied with Alan Cumming at Bing on his birthday
Andrea Lim
  •  
Feb. 3, 2017
Punk under Trump?
Jacob Kuppermann
  •  
Feb. 1, 2017
Artist Pantheon: Music best served chilled
Trenton Chang
  •  
Jan. 31, 2017
Familiar Faces: Getting to know Rooney Pitchford ’15
Benjamin Sorensen
  •  
Jan. 30, 2017
Remembering Jeff Buckley’s ‘Grace’ 20 years later
Nick Burns
  •  
Jan. 30, 2017
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