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Film
Director Alfonso Gómez-Rejón talks ‘Me and Earl and the Dying Girl’
Ena Alvarado
  •  
June 18, 2015
An interview with the stars of ‘Me and Earl and the Dying Girl’
Ena Alvarado
  •  
June 18, 2015
‘Me and Earl and the Dying Girl’ is an instant coming-of-age classic
Ena Alvarado
  •  
June 13, 2015
Director of Brian Wilson biopic ‘Love & Mercy’ talks being original, mental illness in film
Will Ferrer
  •  
June 3, 2015
Summer movie preview
Madelyne Xiao
  •  
June 3, 2015
‘Live from New York’ falls short
Madelyne Xiao
  •  
May 29, 2015
Cardinal Studios seeks to combat lack of on-campus film production
Will Ferrer
  •  
May 21, 2015
Brad Bird’s ‘Tomorrowland’ is a retro-futurist wonder
Raymond Maspons
  •  
May 21, 2015
Drone drama ‘Good Kill’ misses target
Ena Alvarado
  •  
May 21, 2015
Cardinal Studios’ first outing is promising though puzzling
Will Ferrer
  •  
May 20, 2015
‘A Separation’ director’s exceptional ‘About Elly’ receives long-awaited U.S. release
Madelyne Xiao
  •  
May 18, 2015
‘Mad Max: Fury Road’ is a brilliant exercise in lunacy
Will Ferrer
  •  
May 15, 2015
‘Pitch Perfect 2’ is more flat than sharp
Raymond Maspons
  •  
May 15, 2015
SFIFF gets trippy: Salvador’s ‘Vincent’ and Attieh and Garcia’s ‘H.’
Will Ferrer
  •  
May 8, 2015
Joss Whedon’s ‘Avengers: Age of Ultron’ is good but lacks spark
Will Ferrer
  •  
May 1, 2015
Thomas Vinterberg’s ‘Far From the Madding Crowd’ is far from vapid
Will Ferrer
  •  
May 1, 2015
Capsule reviews: Female directors break the celluloid ceiling at SFFIF
Madelyne Xiao
  •  
April 30, 2015
Oprah on performing and producing theater and film
Steve Rathje
  •  
April 27, 2015
A look at this year’s San Francisco International Film Festival
Will Ferrer
  •  
April 21, 2015
Franco shines in Rupert Goold’s ‘True Story’
Raymond Maspons
  •  
April 17, 2015
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