According to University Communications, the 11 students have either recovered or “appear to be recovering.” Citing privacy concerns, the University has withheld the names and residences of those likely affected by the virus.

Provost John Etchemendy presented the University’s proposed 2009-2010 budget to the Faculty Senate yesterday, making the big picture of budget cuts clear after several months of announced cuts in individual University units…

This report covers a selection of crimes from May 20 to May 28, as recorded in the Stanford Police Bulletin…

As the oft-overlooked midpoint between mega-festivals Coachella and Bonnaroo, Sasquatch has been quietly growing in past years into one of the country’s preeminent summer music destinations.

The Robber Barons, Stanford’s sketch comedy group, gives us a breath of much-needed laughter by way of their spring show by delivering a flurry of humor that comes and goes as fast as their sketches.

For years, Stanford has struggled to maintain a cable channel equivalent to that of even the smallest colleges. Finally, a group has come along that has dedicated itself to giving the student body what it wants most: light entertainment that helps one get through hump day. This past Wednesday, Stanford students crowded around televisions tuned into SCBN (channel 58) in anticipation of the series premiere of “The Dorm.”

This is the AATP’s second play this year, and any performance would have been difficult to follow in the footsteps of “Forgetting Tiburon.” This play touches on many of the same themes as the aforementioned play — but does so with a humorous bent…

Sonia Sotomayor, President Obama’s current nominee to the Supreme Court, stands not as an example of change, but as a safe choice in what has become a politically dominated nomination process, argued Law School Dean Larry Kramer and Associate Law Professor Jenny Martinez in a Supreme Court Symposium yesterday…

ight from the beginning of “The Brothers Bloom”, Ryan Johnson establishes his new film as a departure from the darker style he employed in his debut, “Brick”. In contrast to the murky lighting and tone of that modern take on noir, “The Brothers Bloom” opens with a once-upon a time story full of bright color and whimsy.

New horror movies usually welcome a cursory shake of the head and cluck of the tongue from me, as I, in a somewhat cynical fashion, would not be surprised if about 50 percent of reviews were negative…